One Hundred Five
An exceptional look into homelessness, with compelling character development. A bit too realistic for me, but a really wonderful telling.
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"Fox ( The Village by the Sea ) has written a quietly terrifying, wholly  compelling novel about the urban homeless, filtered through the  experience of an 11-year-old boy. Clay’s middle-class existence begins  to shred when his art-director father loses his job and, eventually, his  connection to his wife and child. He leaves without a word one day, and  Clay and his pregnant mother end up in a welfare hotel, a place "where  people in trouble waited for something better—or worse—to happen to  them." And happen it does, for Clay’s mother soon disappears as well,  and Clay takes to the streets, to be befriended by two homeless men and  reunited with his mother only after great tribulation. Once again Fox  displays her remarkable ability to render life as seen by a sensitive  child who has bumped up against harsh circumstances. Her understanding  of Clay is keenly empathic and intuitive, and it seems near-total: she  is as finely attuned to the small, surprising eddies of his thoughts as  to their larger and more obvious stream. It is precisely this attention  to the quiet, easily lost insight that gives her account its veracity  and force. For example, one night Clay and a friend break into a church  basement, and Clay spies a bulletin board. He is "faintly surprised. I  can read, he thought"—a small jolt that shows us just how far from the  world of school and homework he has traveled. Fox neither preaches about  nor attempts to soften the stark realities of the life that is,  temporarily, thrust upon Clay. Clear-eyed and unblinking as ever, she  shows us the grit, misery and despair of the homeless, along with  occasional qualified, but nonetheless powerful redemptive moments—the  sharing of an apple or kind word by those with little to spare; for  Clay, the bright smile of his newborn sister." - Publishers Weekly

One Hundred Five

An exceptional look into homelessness, with compelling character development. A bit too realistic for me, but a really wonderful telling.

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"Fox ( The Village by the Sea ) has written a quietly terrifying, wholly compelling novel about the urban homeless, filtered through the experience of an 11-year-old boy. Clay’s middle-class existence begins to shred when his art-director father loses his job and, eventually, his connection to his wife and child. He leaves without a word one day, and Clay and his pregnant mother end up in a welfare hotel, a place "where people in trouble waited for something better—or worse—to happen to them." And happen it does, for Clay’s mother soon disappears as well, and Clay takes to the streets, to be befriended by two homeless men and reunited with his mother only after great tribulation. Once again Fox displays her remarkable ability to render life as seen by a sensitive child who has bumped up against harsh circumstances. Her understanding of Clay is keenly empathic and intuitive, and it seems near-total: she is as finely attuned to the small, surprising eddies of his thoughts as to their larger and more obvious stream. It is precisely this attention to the quiet, easily lost insight that gives her account its veracity and force. For example, one night Clay and a friend break into a church basement, and Clay spies a bulletin board. He is "faintly surprised. I can read, he thought"—a small jolt that shows us just how far from the world of school and homework he has traveled. Fox neither preaches about nor attempts to soften the stark realities of the life that is, temporarily, thrust upon Clay. Clear-eyed and unblinking as ever, she shows us the grit, misery and despair of the homeless, along with occasional qualified, but nonetheless powerful redemptive moments—the sharing of an apple or kind word by those with little to spare; for Clay, the bright smile of his newborn sister." - Publishers Weekly